IALD Highest Honor Work | Qingdao Cangmashan Moon Sky Auditorium

This is a building that leaves an unforgettable impression on anyone who sees it.

It stands quietly in a small town at Zangma Mountain, Qingdao, beautiful and pure. Its all-white body complements the surrounding green mountains and cypress trees.

The lighting on the main facade is divided into three main layers. They play their respective roles with different intensities , and colors. The floodlights on the clock tower spire are the brightest, marking the skyline of the entire building; the next layer is the entrance and the ' cave ' of the clock tower spire, where warm light spills outward from inside to the sky; the facade on the first floor of the building is relatively quiet lighting.

礼堂钟楼尖顶的光是最亮的。这是一笔神圣气质的点题，昭示着建筑通往神性的方向。我们在现场进行很多轮的灯光试验，来确认投光灯最恰当的位置。投光灯从建筑的两侧进行投射，这样在建筑表面形成的光斑会更加均匀。

由于被照面高度较高，选择了功率为300W的灯具，出光角度则采用了8°角。灯具的安装为近人尺度，因此我们对灯具加装了防眩蜂窝网，这大大减少灯光对行人产生的眩光影响。

我们选择了暖黄色去描述人们经过的礼堂入口，以及礼堂钟楼尖顶的“洞口”。之所以选择暖色温，是为了使建筑看上去更加“温暖”，增加人们的安全感，也让建筑的光更加丰富而有层次。

我们用线性光源将“切片”进行了灯具隐藏式的勾勒，让光线均匀洒在“切片”上的同时，灯具亦不被看到，达到“见光不见灯”的效果。此处的灯具我们选择了带硅胶套的霓虹灯带，功率为10W/m，发光面均匀出光，可以最大程度的隐藏灯珠。

灯具被设置在分割的“切片”之间，适当的灯具功率与角度，将每一层板照亮。白天，自然光通过这些“切片”的缝隙进入腔体内部，夜晚降临，人工光依然从这里开始。我们选择了4000K的白光去表达它的纯粹与宁静。

为了隐藏灯具，我们选择了地埋灯，此处空间尺度较小，与人距离较近，因此地埋灯需要做深筒形式，并且表面需再加防眩蜂窝网，通过双重措施去弱化眩光。为了尽可能的将“切片”表达出来，同时亮度又不会过高，因此选择了功率为12W角度为10°的灯具。

The interior of the church continues to extend the arc shape. We use illuminance calculations to simulate the spatial illuminance relationships.

An arc shape in the space, warm and soft. We placed the light at the bend of the arc, allowing the natural gradient of light to occur naturally within the spatial form . Since the mounting surface is curved, ordinary downlights cannot meet the installation requirements. After comparison, we adopted custom curved-surface frameless downlights locally. To maximize the flatness and cleanliness of the ceiling.

在板与板之间，除了上照的地埋灯，也有线性灯具。这样礼堂的造型得到了更精准的刻画。礼堂的周围有一安静的水面，我们没有设置光源在其中，夜晚，它只是一面纯粹的镜子，反射礼堂，以及礼堂中人们的活动。